![]() ![]() It makes no pretense to comprehensiveness. The Nineties is more a collection of salvaged items than a narrative or an argument. ![]() The Nineties isn’t nostalgic-not exactly, at least, since nostalgia implies a voiced dissatisfaction with the present, and Klosterman is too shrewd to waste his time on that. You can find that off-putting, or you can find it (as I do) a refreshing change. Read Full Review >Ĭompared with the average cultural critic today, whose sensibility was likely shaped by ardent online fandoms and obsessions, Klosterman is cool, even detached. It is a clever, smart book that will evoke memories while also causing you to question those same memories. ![]() Serious, but not self-serious, if that makes sense-Klosterman is writing from a place of thoughtful consideration and in-depth analysis, but he also never stops being funny. It’s a bit headier and a bit more serious, though he never loses track of the sense of the absurd that makes him such an engaging read. a bit different than the usual Klosterman fare. This is a book that explores what happened and the subsequent consequences, and along the way, he breaks down the difference between the truth of the moment and the fictionalized stories we tell ourselves. Klosterman not only steers clear of that impulse, he pushes in a direction that is more straightforwardly analytical. In so many ways, the fog of nostalgia clouds our perspective on the past. Despite what you may think, this is not a nostalgic book. It is a thoughtful and engaging trip down the Gen-X rabbit hole. ![]()
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